WEBF Founder James Edge’s FIVE FRINGE FAVOURITES
Fringe review: ALONE, Glow House Ltd/Dusty Room Productions - Edinburgh Festival Fringe
Fringe review: SUMMER CAMP FOR BROKEN PEOPLE, The REcreate Agency/Grace Dickson Productions - Edinburgh Festival Fringe
Fringe review: HOLLY SPILLAR - HOLE, Edinburgh Festival Fringe
Fringe review: AIDAN SADLER - MELODY, Weird Wood - Edinburgh Festival Fringe
Fringe review: STRING V SPITTA, Soho Theatre - Edinburgh Festival Fringe
Fringe review: JINGLE STREET, Chordstuck Theatre - Edinburgh Festival Fringe
Fringe review: A PIRATE’S LIFE FOR ME, Max Norman - Edinburgh Festival Fringe
Fringe review: DANNY BEARD AND THEIR BAND, Edinburgh Festival Fringe
Review: DEATH NOTE THE MUSICAL IN CONCERT, London Palladium
Fringe review: DUSK - A Bite-Size Love Story, Wishbone Media - Edinburgh Festival Fringe
Fringe review: HAVISHAM, Emul8 Productions - Edinburgh Festival Fringe
Fringe review: LUKE KEMPNER IN GRITTY POLICE DRAMA: A ONE MAN MUSICAL, Avalon - Edinburgh Festival Fringe
Fringe review: MACBETH BY THE SEA, John Hancock Productions - Edinburgh Festival Fringe
Fringe review: THE GHOST OF A SMILE, Gavin Robertson/Nicholas Collett - Edinburgh Festival Fringe
Fringe review: BLUEPRINTS, Ashlee Elizabeth-Lolo - Edinburgh Festival Fringe
Fringe review: WET, The Hairy Godmothers - Edinburgh Festival Fringe
Fringe review: 2020 THE MUSICAL, Fit the Mould Productions - Edinburgh Festival Fringe
Fringe review: GROWN UP ORPHAN ANNIE, Katherine Bourne Taylor - Edinburgh Festival Fringe
