Review: KING LEAR, Shakespeare’s Globe Theatre

Photo credit: Johan Persson

One of Shakespeare’s better-known tragedies, King Lear tells the story of an aged King who relinquishes and divides his Kingdom between his three precious daughters, with the one who most professes her love for him to take the largest share.

As this power is transferred, the King forces us to face not only our own humanity, but the growing need for human compassion.

The need for empathy and understanding within society is as relevant today as it was in Shakespeare’s time. The struggle for power and inability to recognise greed is ever present and pertinent, mirroring the governmental struggles and conflicts of our modern world.

Kathryn Hunter re-embarks on the role of King Lear, a role she originally embodied twenty-five years ago. Being small in stature does not defer from the sheer size and strength of the character, as Hunter truly embodies the fearless, yet harsh ruler.

Light relief is provided by Michelle Terry as Lear’s Fool, who doubles as Cordelia, and effectively plays the wit and mischievousness in direct contrast to the vulnerability of Lear’s devoted daughter.

Kwaku Mills is a strong Edgar, as both the protective godson to Lear and then in his disguise as ‘Poor Tom’ and this portrayal remains one of the most interesting and more complex characters, thoroughly enjoyable and intriguing to watch.

The impressive backdrop of The Globe, with design by Pawel Dobrzycki, completes the atmosphere of the piece and you would be forgiven for being momentarily transported to Tudor England. 

It’s an aesthetically pleasing production with modern, dynamic triangulations.

**** Four Stars  

Reviewed by: Rachel Louise Martin

King Lear is at Shakespeare’s Globe in London until 24 July, with tickets available here.