Review: GHOST THE MUSICAL, New Wimbledon Theatre - Tour

Photo credit: Alastair Muir

A story of love, loss, and the supernatural, Ghost The Musical brings the beloved 1990 film to life with striking visuals and heartfelt performances. With a book and lyrics by Bruce Joel Rubin and music by Dave Stewart and Glen Ballard, this adaptation blends romance, humour, and emotion into a theatrical spectacle.

The show follows Sam and Molly, a couple whose world is shattered when Sam is tragically murdered in what seems like a random attack. Stuck between life and the afterlife, Sam discovers Molly is still in danger and, unable to communicate with her, turns to eccentric medium Oda Mae Brown for help. What follows is an emotional journey of love beyond death, filled with suspense, humour, and deeply touching moments.

Visually, the production rises to the challenge of portraying the supernatural. Designed by Mark Bailey, the set is simple yet effective, seamlessly transitioning between locations with minimal but purposeful staging. New York’s skyline is ever-present, while small set pieces—such as Sam and Molly’s apartment walls or Oda Mae’s shop—make each scene instantly recognisable. The lighting design by Nick Richings plays a crucial role, shifting from eerie blues for Sam’s ghostly presence to deep reds when the villains are dragged into hell. Richard Pinner’s illusions heighten the supernatural, making objects move and Sam’s ghostly form feel truly otherworldly.

One of the most visually impressive moments is the underground train sequence. The choreography by Alistair David, combined with slow-motion effects and clever staging, creates a near-magical illusion that makes the supernatural feel incredibly real. The ensemble’s movements in this sequence are particularly striking—collectively shifting in slow motion as they lift themselves and objects into the air. This effect powerfully conveys the presence of the ghost haunting the subway, as if he is manipulating the space around him with supernatural force. The precision in this sequence enhances the tension, making it one of the most immersive moments in the show.

Music is integral to the show, but ‘Unchained Melody’ in Act One lacks emotional depth. Played more light-heartedly than expected, it doesn’t fully establish Sam and Molly’s bond, lessening the impact of his death on the audience. However, the Act Two reprise is breathtaking—stripped back and filled with longing and heartbreak, it finally delivers the emotional weight that was missing from Act One.

Rebekah Lowings as Molly is the heart of the show, delivering a powerhouse performance that balances vulnerability and strength. Her rendition of ‘With You’ is a standout; raw and deeply moving and has many audience members reaching for their tissues. Jacqui Dubois as Oda Mae Brown steals every scene she’s in—her comedic timing is impeccable, and her presence gives a much needed boost of energy whenever she’s on stage.

Josh St. Clair as Sam Wheat has a great voice, but his performance feels slightly subdued next to Lowings and Dubois. Some moments lack urgency and energy, contributing to the emotional disconnect. It was also sometimes difficult to hear what he was saying, potentially due to a lack of projection. However, his and Lowings reprise of ‘Unchained Melody’ is stunning, and is the first time the audience truly believes in the depth of Sam’s feelings for Molly.

James Mateo-Salt as Carl Bruner has a strong voice, though his early scenes don’t fully capture the menace of his character, leaving the audience underwhelmed. However, in his final moments, when his desperation truly comes to a head, he finds the dark intensity needed to deliver a believable and gripping climax.

Alistair David’s choreography ensures smooth transitions, particularly in ensemble scenes that bring New York to life. The sound design by Dan Samson enhances the atmosphere, though some technical elements could be tightened. The timing of certain effects, particularly the gunshot that kills Sam, was late when we saw the show, which lessened the impact of this pivotal moment. Similarly, moments when Sam tries to interact with objects as a ghost could be better synchronised with the sound effects to maintain the illusion for the audience.

While Ghost The Musical is a visually immersive and emotionally charged production, a few refinements could enhance it further.

If you love the original film or enjoy musicals that blend romance, humour, and supernatural intrigue, this production is worth seeing. Whether you're a long-time fan or new to the story, it’s a beautifully staged and deeply moving show that reminds us that love—like music—transcends time.

*** Three stars

Reviewed by: Laura Harris

Ghost the Musical plays at the New Wimbledon Theatre until 8 February before continuing its tour. To book tickets for select touring venues including Wimbledon, please click here.