Review: FIGARO: AN ORIGINAL MUSICAL, London Palladium
Photo credit: Fahad Alinizi
Figaro, a new musical by Ashley Jana and Will Nunziata, made its debut in a concert performance at London Palladium last night – its first fully staged production.
The story follows Sienna, a young woman yearning to escape her mundane life with her father and pursue her dreams of singing freely. Her journey leads her into the enigmatic world of Figaro, a charismatic leader of a traveling show, who promises to fulfil her aspirations, but this comes at a cost. As Sienna becomes captivated by Figaro’s promises, the plot veers into darker, more unsettling territory.
The music is one of Figaro’s most compelling features. Mysterious and atmospheric, the score enchants with an eerie undertone, drawing audiences into its world of suspense. Each song heightens anticipation, evoking excitement and a sense of foreboding. The incredible talent of the cast is key to bringing this music to life. Jon Robyns shines as Figaro, exuding an intoxicating blend of mystery, charm, and menace. While his portrayal is impressively seductive and morally ambiguous, one might wish for even more danger in his performance.
Cayleigh Capaldi leads as Sienna with a delicate sweetness that gradually gives way to moments of raw power in her vocal delivery. Her ability to seamlessly transition from gentle to bold is mesmerising. The dynamic between Sienna and Figaro mirrors the haunting, volatile relationship of The Phantom of the Opera’s Christine and the Phantom. Robyns’ past role as the Phantom is certainly echoed in their chemistry.
Aimee Atkinson provides a striking contrast to Capaldi, bringing a sultrier, more assertive energy. Her songs reflect this shift, adding to the varied emotional textures of the show. Daniel Brocklebank, recently known for Coronation Street, is a standout surprise, with strong and rich vocals, and natural confidence. Ava Brennan’s deeper, honeyed vocals add further layers of beauty to the musical landscape.
However, the young performers, Cian Eagle-Service and Sophia Goodman, steal the show. Their duets are magical; their voices blending effortlessly, showcasing impressive skill far beyond their years. They capture the audience’s hearts with every appearance.
The set design by Justin Williams is impressive for a two-night performance, successfully evoking the essence of a traveling show. The lighting, crafted by Alex Musgrave, works in tandem with the atmosphere, setting the tone for the darker, more mysterious elements, although this could have been more dramatic at times.
Although the music and the performances are strong, the plot leaves a little to be desired. The mystery, while intriguing, is predictable, reducing some of the potential suspense. Several plot points feel a bit disjointed, lacking the clarity needed to tie them together cohesively. That said, The Phantom of the Opera-like elements of the story, though familiar, are still fresh enough to allow the show to stand on its own.
Figaro is a dark, sensual, and mysterious musical with hauntingly alluring music and a compelling atmosphere. While the plot and character development could benefit from refinement, it’s easy to see the potential for growth as the show continues to evolve. The experience is a thrilling and captivating one, leaving audiences eager to see where Figaro goes next.
**** Four stars
Reviewed by: Alexandra Tullah
With just one more performance at the London Palladium this evening (4 Feb), be sure not to miss this exciting new production. For more info on Figaro, please click here.
