Fringe review: F*CKBOY, Paradise in Augustine’s

Photo credit: Bells Kennedy-Compston

F*ckboy is a captivating solo show by Freddie Haberfellner that boldly explores gender dysphoria, bodily autonomy, and the intricacies of celebrity crushes from a trans perspective. It’s a raw, honest, and endearing journey that unfolds through interwoven stories as the protagonist travels along the District line from Aldgate East to Richmond. Each stop on the tube ride brings them closer to the courage to make a life-changing decision—to chop their hair off—and confront their identity head-on.

Haberfellner’s performance is powerful, drawing the audience with a unique voice and perspective that is both engaging and relatable, even to those who haven’t personally grappled with gender dysmorphia. The dialogue is refreshingly authentic, with standout moments such as the Hamlet-inspired madness monologue that blend introspection and self-acceptance in a way that is both profound and poignant.

The show is meticulous in its exploration of the complexities of gender, touching on misconceptions, misinformation, and the judgments that trans individuals face, especially regarding medical procedures. While this thoroughness adds depth, it sometimes verges on over-explaining, leaving little room for ambiguity or introspection. A bit of editing, particularly towards the latter part of the show, could enhance the pacing and allow for a more powerful build-up to the conclusion.

Despite this, F*ckboy is an important and thought-provoking piece that resonates on multiple levels. It challenges the audience, without being preachy that regardless of their place on the gender spectrum, to question societal norms and reflect on their own identities. A well-crafted and emotionally stirring performance that deserves to be seen.

**** Four stars

Reviewed by: Beatriz Do O

F*ckboy plays at Paradise in Augustine’s until 25 Aug, with further info here.