World premiere stage adaptation of MINORITY REPORT to open in February 2024

It has been announced that the world premiere stage adaptation of Minority Report will be presented next spring.

Based on Philip K. Dick’s 1956 near-future novella made globally famous by Steven Spielberg’s 2002 blockbuster movie, this timely presentation is adapted for the stage by David Haig with direction by Max Webster.

Opening at the Nottingham Playhouse (16 Feb – 9 March 2024), Minority Report then tours to the Birmingham Rep before concluding it’s run at London’s Lyric Hammersmith Theatre.

This incredible theatrical experience will use innovative technology to create a world at the borders of science fiction and reality and, unlike the novella and Hollywood film, this innovative new production relocates the action to London, with the central character (most famously played by Tom Cruise) as a leading female neuroscientist, Dame Julia Anderton.

In 2050, neuroscientist Dame Julia Anderton is about to launch the next phase of her pioneering Pre-Crime programme, detaining people for crimes before they are committed. But when Julia is accused of pre-murder, she’s in a race against time to save herself from her own system.

This thrilling adaptation of Phillip K Dick’s iconic story challenges our beliefs about justice and free will in a real-time chase through London of the future.

Producer Simon Friend said: “I’m delighted to announce the world premiere stage version of Minority Report, based on Philip K. Dick’s short story, adapted by David Haig. We commissioned this project several years ago, but with its prescient central theme of personal technological surveillance, it has only become more alarmingly relevant to the world in which we live, despite the original story having been written in 1956. I’m also excited to reunite with director Max Webster, after the continued success of our production of Life of Pi, to create another entertaining, ambitious, and thought-provoking piece of theatre, and to partner with some of the country’s best producing theatres in Nottingham Playhouse, Birmingham Repertory Theatre, and Lyric Hammersmith.”

The wider creative team comprises production designer Jon Bausor, video designer Tal Rosner, lighting designer Jessica Hung Han Yun, composer and sound designer Nicola T. Chang, movement director Lucy Hind, and casting director Lotte Hines CDG.

Full casting is to be announced.