Review: WHITE ROSE - THE MUSICAL, Marylebone Theatre
Photo credit: Marc Brenner
White Rose: The Musical, which premiered Off–Broadway in 2024, is a powerful new production making its UK debut at London’s Marylebone Theatre. Written by Brian Belding, and directed by Will Nunziata, with music composed by Natalie Brice, the production brings the inspiring true story of the White Rose resistance movement to life.
Set against the backdrop of Nazi Germany, the musical follows the courageous actions of Sophie and Hans Scholl and their fellow university students as they risk their lives to expose the truth behind Hitler’s propaganda by distributing anti-Nazi leaflets.
The set design is immediately striking, with a worn wooden table, vintage typewriter, and a mysterious metal device at its centre. The rugged concrete walls, crumbling pillars, and floor littered with rubble create a sense of disarray and danger. This minimalist yet powerful staging allows the music and performances to take centre stage.
Natalie Brice's score masterfully blends rock and traditional musical theatre, infusing the show with both youthful energy and poignant emotion. The upbeat pop-rock numbers capture the rebellious spirit of the characters, while the more classical ballads offer moments of reflection, drawing the audience deeper into the narrative.
The cast deliver exceptional performances, led by Collette Guitart as Sophie Scholl. Her vocals are nothing short of outstanding, her voice resonating with a clarity and strength that captivates from start to finish. Guitart’s portrayal embodies Sophie’s fierce resolve and unwavering courage, creating a profound impact. Tobias Turley as Hans Scholl complements this with a raw and emotive performance, particularly during his solo about internal conflict, ‘The Sheep Chose the Wolf’ where his voice and presence are utterly compelling.
Danny Whelan (Christoph Probst) and Owen Arkrow (Willi Graff) provide strong support, each given moments to shine. Whelan’s classical vocal tone adds poignancy to his heartfelt song ‘Fatherhood’, while Arkrow’s performance enriches the sense of camaraderie within the group. The ensemble's chemistry is undeniable, making their shared mission feel authentic and deeply moving.
Ollie Wray, as Frederick Fischer, delivers powerful vocals and a nuanced portrayal of an SS officer torn between duty and conscience. His performance effectively highlighted Sophie’s extraordinary bravery, with the character’s inner conflict adding depth to the story. The past relationship between Frederick and Sophie introduces an intriguing layer, showing how, despite his lack of courage, he subtly aimed to protect her.
Director Will Nunziata’s staging choices enhance the production’s impact. The use of shadows and lighting, particularly the red illumination of the brick wall behind two Gestapo officers, creates strong visual imagery that sends chills through the audience. The minimal set transitions smoothly between scenes, allowing the story to flow seamlessly and for the audience to focus on the story.
A particularly powerful moment comes near the end of the show when cast members throw leaflets into the audience, mirroring the real-life actions of the White Rose students. This bold decision breaks the fourth wall, bringing the audience directly into the story’s urgency and defiance. It’s a striking reminder of the bravery of those who stood against oppression, leaving the audience with a tangible connection to the message of resistance.
Despite minor timing and pitch issues, the first act is impactful, and the second act continues to build on this momentum. The harmonic trio that opens the second half—featuring Sophie, Hans, and Frederick—is beautifully performed, setting the tone for a stirring conclusion. The production handles the real-life tragedy of the White Rose story with sensitivity, underscoring the message that standing up against injustice and speaking the truth is as important in today’s world as it was back then.
White Rose: The Musical is a captivating and thought-provoking production that not only honours the legacy of its real-life heroes but also serves as a reminder of the enduring power of resistance and the courage to speak out. This is a must-see production that will leave a lasting impression long after the curtain.
**** Four stars
Reviewed by: Laura Harris
White Rose: The Musical plays at Marylebone Theatre until 13 April, with tickets available here.
