Review: UNTITLED F*CK M*SS S**GON PLAY, Young Vic Theatre

Photo credit: The Other Richard

One of the best things about theatre is its ability to tackle societal issues. untitled f*ck m*ss s**gon play goes an introspective step further and challenges the world of Asian stereotypes within theatre.

Written by Kimber Lee and directed by Roy Alexander Weise, the play follows Kim who is trapped in a world of repeating Asian stereotypes. We begin in 1906 with the New York premiere of Madame Butterfly and journey through the twentieth century with re-enactments of South Pacific and M*A*S*H. The story deliberately skims over the titular Miss Saigon, which is arguably the worst offender in the catalogue of Asian depictions. However, by the time of its would-be entrance, we have already seen a pattern quickly form of seduction, motivated by the promise of a ‘better’ future in the idealised America, followed by abandonment and death. The show culminates in a multicultural dinner party in 2023 when Kim has made it to America, but this time she is ready to fight.

untitled f*ck m*ss s**gon play stars an exceptional ensemble cast who are all clearly dedicated to the cause. Mei Mac is brilliant as Kim; she is feisty and funny as she wrestles for the right to control her own narrative. Rochelle Rose’s narration is central to both the storytelling and highlighting the racism and stereotypes, even if we didn’t really need any help. It is an interesting creative choice but Rose’s charm and charisma, which continues as she slots into the action, means it works exceptionally well. The narration also guides us through the many scene changes. The set, cleverly designed by Khadija Raza, is wheeled on and off stage down narrow walkways to transport us from story to story.

untitled f*ck m*ss s**gon play has no interval but has a running time of an hour and forty-five minutes. One can’t help but feel slightly perplexed by this increasing trend towards one act pieces. In this play, the impact of the switch to 2023 New York could have been enhanced by an intermission.

untitled f*ck m*ss s**gon play is surprisingly funny and utilises satire to further its agenda; Tom Weston-Jones as Clark, the American ‘hero’ is key to this. However, the piece also tackles the issues of imperialism, racism, and misogyny almost until the final moments when it fails to find a wholly conclusive ending. Despite this, the play still packs a punch and this bold and unapologetic piece will make you laugh, think, and wonder why these stories were left unchallenged for so long.

**** Four stars

Reviewed by: Sophie Luck

untitled f*ck m*ss s**gon play runs at the Young Vic Theatre until 4 November, with further information here.