Review: TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK), Criterion Theatre
Tristram Kenton
While certainly not a common name for a westend show, it does fit this show perfectly. This RomCom written and composed by Jim Barne and Kit Buchan started at the Kiln theatre for a 2-month run and quickly got its West End transfer to the Criterion Theatre.
In the heart of New York City, Dougal, a naive and relentlessly optimistic Brit, steps off the plane for his father's second wedding - a father he's never known. His arrival coincides with a chance encounter with Robin, the bride's no-nonsense New Yorker sister, rushing to work with little time for distractions. Despite their initial lack of connection, the backdrop of a lavish wedding and the bustling streets of the Big Apple set the stage for unexpected sparks to fly. As the city pulses with energy and excitement, Dougal and Robin find themselves on a whirlwind adventure where anything is possible.
The plot of this romantic comedy unfolds with a sense of familiarity, yet it remains engaging and captivating throughout. While there may be few surprises along the way, this does little to detract from the overall enjoyment of the show. The planned wedding of the estranged father serves as a perfect backdrop, providing ample opportunity to delve into the emotions and backstories of the two characters. What sets this production apart is its ability to forge a deep connection between the audience and the protagonists, Robin and Dougal. As their journey unfolds, viewers are drawn into their world, experiencing every emotion alongside them. It is this heartfelt connection that ultimately drives the success of the show, making it a thoroughly enjoyable and emotionally resonant theatrical experience.
With only two cast members shouldering the weight of the entire narrative, mastery of their craft is essential to captivate the audience and drive the story forward. Sam Tutty (Dear Evan Hansen) infuses Dougal with an infectious energy, showcasing his exceptional vocal talent throughout the score. His portrayal is not only brimming with excitement but also imbued with genuine emotion, particularly evident in poignant moments such as 'He Doesn't Exist.' Dujonna Gift (Hamilton) delivers powerhouse vocals, notably shining in songs like 'This Year.' Her portrayal of Robin perfectly captures the initial annoyance and gradual acceptance of Dougal's presence, drawing the audience into their evolving relationship. Together, Tutty and Gift exhibit impeccable comedic timing, breathing life into the show's humorous moments and ensuring a delightful and engaging theatrical experience for all.
The set designer's ingenuity shines brightly in this production, crafting a stage unlike anything seen before. While the use of a revolve is not uncommon, Soutra Gilmour’s towering stacks of suitcases that dominate the stage are truly striking. At first glance, one might question how the actors will find space to perform amidst the towering structures. However, this unconventional choice proves to be a stroke of brilliance. As scenes unfold, the suitcases are ingeniously opened and manipulated, seamlessly transforming the stage into various locales. The addition of lights on the suitcases further enhances the storytelling, evoking the atmosphere and mood of each setting with remarkable clarity. Through this innovative design, the set becomes not just a backdrop but an integral part of the narrative, captivating audiences and enriching the overall theatrical experience.
With a couple of moments throughout that I can imagine are played off as a comedic mishap when they don’t work and as planned highlights when they do, the show certainly brings some different aspects to the West End. With a killer soundtrack, it is a must-see for theatregoers looking for a joyous and thoroughly entertaining experience.
***** Five Stars
Reviewed by: Frances Tate
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