Review: TINK, The Other Palace
TINK first debuted in collaboration with Tobacco Factory Theatres in early 2023, later achieving a sold-out run at the Edinburgh Festival Fringe the same year. Written and directed by Lizzy Connolly, with Kat Kleve performing as the iconic TINK as well as composing the music, the show is a true partnership between the two. It’s a raw and unapologetic exploration of the chaos and vulnerability of growing up, blending nostalgic memories with a modern take on identity in this captivating musical monologue.
Now showing in the Studio space at The Other Palace, the performance draws you in the moment you descend the stairs into its intimate setting. The stage quickly fills with smoke, creating an almost mystical energy as the stage comes to life. The minimalist setup, dominated by a bright pink floor, offers a striking contrast to the otherwise bare stage. The lighting, designed by Rachael Duthie, plays a crucial role in shaping the mood. Open hanging light bulbs evoke the image of floating fairies—a subtle yet powerful nod to the Tinkerbell-inspired themes that feel particularly poignant in this intimate space. It’s a fitting aesthetic that echoes the playful yet emotional narrative.
Kat Kleve bursts onto the stage with infectious energy, immediately captivating the audience as the familiar yet refreshingly modern Tink. In this one-woman show, Kat carries the entire performance with energy and authenticity, effortlessly transitioning between characters and moods. Her ability to seamlessly move between different characters shines, but what truly stands out is how she takes the audience on a heartfelt journey through the many stages of her character’s life. The costume changes, though minimal, are incredibly effective in representing different ages—starting at five, moving through her teenage years, sweet sixteen, and finally reaching seventeen. Each change—whether removing a skirt or adding a simple handbag accessory—feels seamless yet powerful, allowing the audience to believe in each transformation. Her regional accent adds to the authenticity, grounding the character in a way that makes her all the more relatable. What could have been a challenge to make believable was brought to life effortlessly, thanks to Kat’s impressive acting skills and the clever costume design.
The show also touches on real-life moments that audiences can immediately relate to, such as the first time getting a little too drunk and dealing with the embarrassing aftermath of a foolish decision. A comical scene when Tink goes prom dress shopping with her mum, followed by the anti-climactic disappointment of prom night itself, hits an emotional note. Finally, the profound loss of someone close is explored with heartfelt sincerity, demonstrating how grief can shape your experiences and worldview. These relatable moments anchor the fantastical elements of the story, creating an emotional depth that resonates long after the show ends.
The use of social media as a theme throughout the show feels both timely and deeply relatable, emphasising the contrast between gaining likes and truly being liked. Kat Kleve navigates the nuances of today’s digital landscape, exploring the superficial validation of social media versus the often-missing emotional connection it promises. Her commentary feels fresh, particularly in how it highlights the pressures young people face today. The modern language and phrases peppered throughout the script lend the performance a contemporary edge, bringing these timeless struggles into the 21st century.
Lighting is once again cleverly used to depict emotional shifts and the passage of time, particularly during poignant moments where grief, friendship, and the darker themes of the show intersect. It not only enhances the atmosphere but also subtly underscores the mood. The voiceovers, used throughout the performance, are more than just a narrative device—they highlight the ever-worsening struggles between Tink and her best friend, Chloe. They underscore the potential damage social media can cause to real-world relationships, especially when it leads to misunderstandings and feelings of exclusion. The voiceovers also touch on themes of luck and the social hierarchies that form in childhood, amplifying the message that many feel pressured to “dumb themselves down” to fit in. However, the show leaves you with the clear takeaway that you don’t need to dim your light to belong.
Kat works the stage beautifully, even stepping down into the audience at times, which heightens the intimacy of the performance. Her energy is absolutely contagious, and even when the delivery isn’t pitch-perfect, her passion more than compensated. She creates a genuine connection with the audience, making everyone feel like a part of her journey.
Musical elements were sprinkled throughout the show, adding layers to the performance. ‘Loyal’, with its folksy acoustic vibe, stands out as particularly beautiful. Despite a few missed notes, likely a result of the challenge of singing while playing guitar—no small feat—Kat’s passion and authenticity still shines through. The music added depth to the message and further enhanced the overall atmosphere. It’s clear that her performance, both vocally and instrumentally, keeps the audience engaged for the entire hour. These occasional imperfections only add to the raw, genuine feel of the show, making it all the more relatable.
TINK is a heartfelt, raw, and refreshingly modern exploration of growing up, social pressures, and finding one's voice. Kat Kleve’s captivating performance, combined with Lizzy Connolly’s sharp direction, brings humour, emotion, and an authentic look at navigating the complexities of both childhood and adolescence. The engaging musical monologue and seamless transitions between characters and age create a truly intimate and impactful experience. While the songs may not be ones you’ll hum afterwards, they perfectly complement the show’s emotional depth. It’s an hour of engaging storytelling that leaves you reflecting on your own journey and the importance of being unapologetically yourself.
TINK is a must-see and is only running until 20 October, so don’t miss the chance to catch a show full of heart. It will remind you to “speak loudly, stand tall, and always shine bright.”
**** Four stars
Reviewed by: Laura Harris
For more info on TINK at The Other Palace, please click here.
