Review: THE SYNDICATE, The Alexandra - Tour
Kay Mellor's play, The Syndicate, adapted from successful TV show of the same name, graced the stage of The Alexandra with an engaging if somewhat uneven performance. Directed by her daughter, Gaynor Faye, in a heartfelt tribute to her late mother, the play follows a group of ordinary shop workers whose lives are dramatically transformed after winning the lottery. Capturing the essence of the TV show, it brings to life the characters' struggles and triumphs, although not without a few hiccups along the way.
The cast, embodying a diverse group of characters struggling to make ends meet, delivered an undoubtedly spirited performance. Yet the play rather teetered between the gravitas of a serious drama and the vibrancy of pantomime, without fully committing to one or the other. This inconsistency may be attributed to the lack of stage microphones which, at times, hampered the actors' ability to show some of the more nuanced emotions. Despite this, their collective energy and commitment shines through, particularly in the second half when the storylines converge more cohesively.
Emmerdale’s Samantha Giles plays a beautifully endearing Denise, whose ditsy antics may remind an audience of their own wonderful nan, adding a much-needed touch of warmth and relatability to the production. Meanwhile, Jamie and Amie (played by Oliver Anthony and Coronation Street’s Brook Vincent respectively), portray characters that instantly have the audiences seething with dislike - a surefire sign of a part well played. Their performances bring necessary tension and conflict to the storyline, enhancing the drama's stakes.
However, not all storylines receive equal attention or development. Leanne (Rosa Coduri-Fulford)'s shocking secret, which promises a riveting twist, ultimately falls flat, lacking the impact and depth it requires. Conversely, Bob (William Ilkley)'s proposal to his girlfriend, though intended to be a heartfelt moment, feels awkward and rushed, compounded by the noticeable age difference between the actors. This subplot could benefit from more careful integration into the overall narrative.
Despite these critiques, the production succeeds in delivering a heartfelt exploration of luck, dreams, and the complexities of newfound wealth. The camaraderie and chemistry among the cast members is palpable, providing moments of genuine warmth and humour, while Bretta Gerecke’s set design and Jason Taylor’s lighting effectively complemented the shifting moods, enhancing the overall atmosphere of the play. With bright and bold costumes in the second act, Gerecke provided a visual shorthand for the character’s transformations that is also very well-received.
Typical of a Mellor production, the action moves at a steady pace, cut with snippets of money themed pop songs including Pink Floyd’s ‘Money’ and Simply Red’s ‘Money’s Too Tight (to Mention)’. Although this keeps the mood light throughout, it has somewhat of an adverse effect and at times, turns the characters more into caricatures than fully-developed individuals.
Peppered with Northern humour, the production’s heart is undeniably in the right place, reflecting a sincere homage to Mellor's legacy.
A heartwarming tribute that will leave you reflecting on the true meaning of fortune.
*** Three stars
Reviewed by: Emily Holtom
The Syndicate plays at The Alexandra until 29 June, with tickets for select touring venues available here.