Review: THE OCEAN AT THE END OF THE LANE, Duke of York’s Theatre

Photo credit: Manuel Harlan

Returning to his childhood home, a man finds himself standing where he used to play all those years ago and is immediately transported back to his 12-year-old self.  When his friend Lettie claimed that the pond wasn’t a pond, but an ocean and he was plunged in to a magical world where ancient forces threatened their survival.

Adapted for the stage by Joel Horwood from the acclaimed novel by Neil Gaiman (Coraline, Stardust, Good Omens), The Ocean at the End of the Lane is a theatrical experience like no other.

What begins as a story of new childhood friendships that comfortably draws us in, quickly becomes magical and fearsome all at once.  With stunning set design by Fly Davis, (there are literally pieces of scenery rising up out of the floor) and puppets designed by Samuel Wyer, we are transported just as easily as the man is back to his childhood.  

In keeping with the atmospheric tension is music composed by Jherek Bischoff, which is like a throwback to a classic 80’s horror movie.

A particular mention should also go to James Bamford, (Boy), Nia Towle (making her theatre debut as Lettie Hempstock) and Penny Layden (Old Mrs Hempstock) who are outstanding in their performances throughout.

Technically perfect in every way, we were literally on the edge of our seats for the whole performance, time passed unnoticed!

Grab a ticket to this must-see as soon as you can, it is not to be missed!

Astounding theatre!

***** Five Stars

Reviewed by Rachel Louise Martin

The Ocean at the End of the Lane plays at the Duke of York’s Theatre, London and is currently booking until May 2022 here.