Review: THE MERCHANT OF VENICE 1936, RSC Stratford-upon-Avon

Photo credit: Marc Brenner

'The Merchant of the East End' doesn't have quite the same ring to it, but that's where Shakespeare's play is set during this production. Through visuals and music, we are transported to 1936 London, in particular Oswald Mosley's territory. Focusing on a fascist Britain, this play becomes political from the onset, including clips and paper clippings displayed behind a Jewish family’s meal from this time period.

The Merchant of Venice 1936 follows Antonio, an antisemitic merchant who takes a loan from the Jewish Shylock. The agreement is he must give her a pound of his flesh if he cannot repay the loan. This is to help his friend court the rich and sought after heiress, Portia. When Antonio can't repay the loan, Shylock demands a pound of his flesh, which we assume will result in his death. Portia, who is now the wife of Antonio's friend, then takes matters into her own hands to try and save his life.

Known for its antisemitic views, this play has made some changes. The time in which it's set, the place and the leading Jewish character and her business associate are played by women, not men. However, these do little to make Shylock a sympathetic character. Tracy-Ann Oberman is superb as Shylock and delivers some wonderfully sharp lines. The fascist backdrop gives a different perspective to the piece and through Brigid Larmour's direction, we see Shylock belittled by those around her because of her faith. This, of course, is an important update to try and address the issues we see in the original play. Despite these changes, it still doesn't quite feel enough, Shylock chooses to have a man possibly killed rather than take money she has fairly earned and her own daughter chooses to leave the Jewish faith. This is Shakespeare's story, written around 1596 and it would impossible to change the plot, although you can applaud the effort of this production.

The cast deliver their lines with punch and clarity without the use of mics. There is much laughter from the audience too, particularly when Portia is waiting for her suitor to make a decision and she announces that music must be played during his decision, the cheesy music then begins with a tongue in cheek vocalist.

The set works well and each scene moves seamlessly, making it clear where you are and who you are focusing on. The outside of a house or a simple white curtain is all that is needed for clarity. The incidental music gives atmosphere to the piece and at at only two hours long (including interval), this play rushes past with great pace.

An interesting, often political and brave take on a controversial play. The strong cast carries this piece with Oberman at its helm.

*** Three stars

Reviewed by: Sophie Eaton

The Merchant of Venice 1936 plays at the RSC, Stratford-upon-Avon until 10 February 2024, with further information here.