Review: THE FAIR MAID OF THE WEST, RSC
Photo credit: Ali Wright
Travel back to 1590s Plymouth where you will find Elizabeth (played by Amber James) with her open arms. Upon arrival to the theatre, you are transported to the local tavern with tankards, accordions and folk songs galore. You’ve met the characters before they’ve even entered the stage as they play you through the entrance and greet you in the pub comically named ‘The Dog’s Arsehole’. Ana Ines and Jabares-Pita’s set is full of warmth and character and could be any bar in any century, with the contrast between tankards and strobe lights, the jukebox and the ukulele. In the second act, this versatile bar quickly becomes a sailing vessel set to make its way to Spain with our companions on board.
The story begins with the house lights still on and an apparent inn-keeper talking to us in iambic pentameter about the origins of the story. The lights then dim and we are introduced to the Plymouth community and the resident rat (a rather large mechanical rodent, partial to cheese). It’s clear that our landlady Elizabeth is at home with the waifs and strays that frequent the inn, including an unexpected proposal from her rich admirer, Spencer, which she turns down.
All is rather lighthearted until one unfortunate night when a brawl gets out of hand and our protagonist is framed for murder. With Spencer’s help and the keys to his unused inn, Elizabeth has to flee to Cornwall. In spite of the inn’s misgivings, Elizabeth is driven to set up her own pub ‘The Open Arms’, once again with the help of 13 year old stowaway, Clem. The pair hold a talent show and this soon brings unexpected delights and new customers. The first half ends with news that Spencer had been held hostage in Spain and will be sent to the gallows, following his medical apprenticeship fighting in the war. The second half focuses on Elizabeth and her crew’s endeavour to bring Spencer home, and she discovers some truths along the way. (And change the course of diplomacy).
This original play by Thomas Heywood has been modernised by award-winning playwright Isobel Mcarthur. It is full of quick wit and talent and there are some laugh out loud, riotous moments. Highlights include all bar karaoke (including Madonna and Queen hits), a barber shop quartet and a flamenco dancer accompanied by a Spanish guitar. Although you’re seeing a Renaissance play, the modern music and live instruments gives it an upbeat and engaging presence. The cast are multi talented, playing a variety of instruments, most of whom provide a quadruple threat with their acting, musicianship, vocals and dance abilities. Elizabeth has a very Kae Tempest feel to her delivery of the text, which draws you into her storytelling throughout.
At times, the plot is a little confusing and doesn’t always flow. It is also hard to understand why Elizabeth fell in love with Spencer as in this new version, they have limited stage time. Having said this, The Fair Maid of the West is a comical, yet moving play and is a truly unique experience. Grab your tankards and get yourself down to The Open Arms to see for yourself!
*** Three stars
Reviewed by: Sophie Eaton
The Fair Maid of the West plays in the RSC’s Swan Theatre until 14 January 2024, with further information here.