Review: THE CHILDREN’S INQUIRY, Southwark Playhouse
Photo credit: Alex Powell
The Children’s Inquiry stands as a poignant and insightful verbatim musical created by LUNG, renowned for their socially resonant theatre productions. Drawing directly from the lived experiences of young people, social workers, politicians, foster carers, and care leavers, this production weaves their stories into a compelling narrative set to a vibrant and emotive soundtrack written by Helen Monks and Matt Woodhead. With over 80,000 children currently in care in England and a critical shortage of suitable local placements, the musical serves both as a comforting reflection for those within or affected by the care system and a powerful call to action for those in positions of influence.
Centred on Jelica, Frank, Amber, and Angelica, four teenagers navigating the complexities of the care system, the musical spans more than a century. From the harsh realities of workhouses to the modern challenges exacerbated by the COVID-19 pandemic, the narrative journeys through key historical moments, intertwining personal accounts with broader social and political context. This approach not only highlights the progress made over time but also underscores the persistent issues that continue to affect young lives today.
Performed by a rotating cast of children aged 8 to 18, the young actors on this night brought sincerity and maturity to the stage, making the show especially hard-hitting. Their immense talent shone through breathtaking harmonies, incredible top notes, and natural dance abilities, suggesting bright futures for these young performers. It is also impressive to see how they are able to mouth-along to the recordings of historic events and political messages to further the story with exaggerated movements in a way that reminds us of the show, Spitting Image.
The musical score, composed by Owen Crouch and Clementine Douglas, blends influence from Dusty Springfield to Lizzo, creating a rich and diverse soundtrack. Choreographer Alexzandra Sarmiento incorporates period-specific dances like the Charleston and doo-wop, adding a dynamic visual element to the show.
It is commendable that the story does not attempt to vilify or blame any particular group, such as care workers. Instead, it focuses on highlighting systemic issues and the need for corrective action. The minimal staging, with no large set pieces and stacks of chairs resembling a school hall, effectively set the tone. The exam hall setup at the start of Act Two further emphasises the central issue of children within the system, creating a poignant and relatable atmosphere.
The Children’s Inquiry is a compelling and timely exploration of the UK’s childcare system, delivered with immense talent and sincerity by its young cast. It’s a must-see for anyone interested in the state of children’s care and the power of verbatim theatre and carries a powerful message that everyone should be reminded of.
**** Four stars
Reviewed by: Frances Tate
The Children’s Inquiry plays at Southwark Playhouse Elephant until 3 August, with further info here.
