Review: SNOW WHITE, Greenwich Theatre
It’s always a pleasure to return to a theatre with a strong pantomime tradition, and that’s certainly the case with Greenwich Theatre. There’s even an exhibition of props from past pantos in the bar - a nice touch. With regular villain Anthony Spargo now established as writer and lead performer, the Greenwich panto is a highlight of the year for returning local audiences and those from further afield. Steve Markwick is back as musical director too and this year, he’s on stage; only fitting as he has always been part of the action.
Snow White is a first for this team, and it is remarkable how the new titles keep coming; not for this theatre the regular turnover of the top four or five pantos. Director James Haddrell has assembled a cast of regulars and newcomers that are more than up to the challenge. Katie Tonkinson is an endearing and forthright Snow White, dungaree-clad and not at all afraid of the forces of evil: an impressive panto debut. Her more traditionally-dressed Prince Charming is experienced musical theatre performer Tom Bales, who manages to send up the role as well as play his part in the story.
Greenwich regular Martin Johnston is a reliable Herman the Huntsman, quickly persuaded to come over to the good side. Newcomers Jessica Murphy and Bekah Thompson-Phiri make up the ensemble, and DeeArna McClean is an engaging Magic Mirror. It is good to see her released eventually from behind her glass screen and able to fully engage with the audience.
The comic sidekick role goes to the energetic Louise Cielecki as Muddles. From her first entrance, she has the audience on side; and the energy and pace are kept up throughout, driving the show to its conclusion. At the centre of the story, and not often off stage, is Anthony Spargo as Queen Narcissus, combining for once the roles of Dame and Villain. It’s a very funny performance, (almost) always in character, and he makes the most of his ability to ad-lib.
It is good to see some traditional routines like the ten pound note gag, although it is odd that characters suddenly use their own rather than character names for that. With Spargo so good as comic villain, it is surprising that there is no Dame character for him to react to. And of course, there are seven dwarfs to be portrayed too, nicely played in this production by puppets appearing all over the set. With eight in the cast, it is just possible for all seven dwarfs to meet Snow White. She doesn’t have to clean the cottage of course; as she says, “It’s not the 1930s.”
The script by Spargo keeps up the pace and moves the action on swiftly, helped by Haddrell’s confident direction. Designer Emily Bestow knows how to make the best use of the stage revolve, and the costumes are as impressive as ever, especially the gold walk-down. The decision to invent a backstory for the dwarfs is cleverly worked into the action, and their final attack and melting of Queen Narcissus is a wonderful surprise, beautifully portrayed.
A fun-filled delight and a great night out for all ages.
**** Four stars
Reviewed by: Chris Abbott
Snow White plays at Greenwich Theatre until 7 January 2024, with further information here.