Small Island has sailed back into the National Theatre with an air of achievement and majesty that is rarely matched in theatre. This production is epic. The story it tells spans across years and weighs heavily throughout the audience across every generation.

The crux of this production is Helen Edmundson's text (adapted from Andrea Levy's novel) and the performances. Don't go expecting something big and flashy - this is a grounded story based very much in the real world. A tale of Jamaican soldiers who served England in World War II, dreaming of the brilliant life they may be able to have after the war is over, but then having to come to terms with the altogether horrifying reality of racism in 1940's/50's Britain; the echoes of which remain ever prevalent to this day.

It holds absolutely nothing back and why should it? Theatre is not just about being entertained, it can also be about learning, experiencing and respecting the stories of others.

In an absolutely huge and incredibly talented cast, it can be hard to have your voice heard but every one of the "narrator' characters held enough energy, charisma, and singularity that, when paired with the text's excellent pacing and direction, allows the audience to keep track of what could easily be a confusing story.

As Queenie, Mirren Mack shocks and amazes with her depth of emotion. Audible sobs can be heard from throughout the audience in the many climaxes of Act 2 (you'll be getting no spoilers from us!) As a relative newcomer to the stage, we look forward to seeing what else she is able to achieve throughout her career.

Leemore Marrett Jr. also impresses. His range from comedic and energetic to the utter opposite is excellent. Truly one of the driving forces behind the show that needs a driving force to fill its over three hour runtime. It is performances like Marrett's that make you feel you could keep watching more and more.

While we did say no spoilers, a shout-out must be given to David Fielder, who manages to evoke so much sadness within the audience with just one single word.

Surrounding the actors is often very little scenery designed by Katrina Lindsay). This allows the show to move on its revolving stage with a fluidity that marries perfectly with the text. It also means that what is on stage means much more that it would if it were part of a more cluttered set. You know that everything has been carefully considered and placed in such a way to both transport you, but also remind you that you are within a theatrical space.

This thought provoking piece will stay with you well after the curtain call and we truly recommend it to all of our Besties who want to see some truly exceptional dramatic performances in an epic production.

***** Five stars

Reviewed by: Callum Wallace

Small Island plays at the National’s Olivier Theatre until 30 April, with tickets available here.