Review: PRIDE AND PREJUDICE* (*SORT OF), Richmond Theatre - Tour
Photo credit: Mihaela Bodlovic
We don’t often see a performance begin with members of the cast dusting the proscenium arch, but the title of Pride and Prejudice* (*sort of) prepares us for something out of the ordinary. As the many people who have seen the show on its previous outings will confirm, what follows is a clever and often very funny version of Jane Austen’s story, touring again in her anniversary year.
Their dusting over, the cast introduce themselves as five of the servants at the Bennet household and therefore people who don’t often appear in stories; but this time they are going to change that. The cast then proceed to perform the story of Pride and Prejudice, playing (almost) all of the parts with some very fast costume changes and some well-chosen karaoke interludes – even one featuring a Chris de Burgh number – he being the other nephew of Lady Catherine we are told…
It's a production that has won awards on its previous outings, and the current cast are more than up to the challenge. Guided by the safe hands of original writer and performer Isobel McArthur, the cast launch into their retelling, which is stuffed with jokes and business, some presumably added since the original opening – even a full size horse features. Some of the stage business – for example, with Darcy’s letter – is inspired.
Playing the male characters, especially older ones, is more of a challenge to this cast than the female roles, although the characterisation of Mr Bennet is a delight. Darcy, though, is very well played, with appropriate seriousness given to the central romantic relationship. The climactic end to the first act, the rapid switching of character and costume (inventive work from designer Ana Inés Jabares-Pita) and the rousing welcome given to Mary Bennet when she finally gets a chance to sing: the show proceeds from one highlight to another and at an appropriately rapid pace.
There are eight names in the cast – presumably those on stage plus understudies – but no indication as to who is performing so no way of commenting on individuals. This is, though, essentially an ensemble piece showing that an inventive, clever and on occasion, very sweary interpretation of Pride and Prejudice, can connect with audiences today.
Likely to be particularly enjoyed by younger audiences, Pride and Prejudice* (*sort of) is a clever take on an enduring tale, with great music and a talented cast.
**** Four stars
Reviewed by: Chris Abbott