With commentary on class and race at its core, director Ola Ince draws parallels between the traditional text and the Metropolitan Police in this gritty reimagining of William Shakespeare’s Othello.

The intimacy of the candlelit Sam Wanamaker Playhouse is utalised to its fullest potential, and the traditional aesthetic of the space provides a stark contrast to the abrasive visuals of armed police in bulletproof vests. The first half of the play cements this contemporary stylistic choice, with depictions of modern-day stakeouts and covert operations. Dialogue is echoed through police radios while the performance space is lit by handheld torches and crime scene lamps; immersing the audience in the world of ‘Guvnor’ Othello (Ken Nwosu) and his team.

With a live band nestled above the stage, music is used to highlight prominent moments of the play, such as the jaunty and unsettling theme of Subconscious Othello, played by Ira Mandela Siobhan. The integration of this character is a bold choice with an exceptional pay-off, giving a raw and visceral insight into Othello’s inner thoughts, and garnering an increasing stage presence in the second half of the play as Othello succumbs to his jealous turmoil.

The rest of the cast also brings a fresh take to their characters. Performances from Charlotte Bate as Emilia and Poppy Gilbert as Desdemona successfully portray both the vulnerability and endurance required of women to survive within this masculine environment. Iago (Ralph Davis) is masterfully redefined as a corrupt member of the police force who is both brutal and charming in nature. His light-hearted rapport with Roderigo (Sam Swann) brought waves of laughter from the audience as well as a welcome respite from the high-stakes intensity of the play.

Branded as ‘an Othello for our time’, this adaptation is both striking and emotionally charged, as it rises to the challenge of illuminating current affairs with an intelligent interpretation of the original Shakespearean text.

***** Five stars

Reviewed by: Chess Hayden

Othello plays at The Globe’s Sam Wanamaker Playhouse until 13 April, with further information here.