Review: ONE DAY WHEN WE WERE YOUNG, Park Theatre
Photo credit: Danny Kaan
In 1942, two young lovers, Leonard and Violet, are forced to part ways as war looms on the horizon. Over the course of One Day When We Were Young, we meet them at three different stages of their lives, taking us on a journey of love, loss, and everything in between.
As bombs rain down on Bath, Leonard (Barney White) and Violet (Cassie Bradley) share a stolen night in a hotel room, discussing their future. Leonard, anxious to leave for war, wishes for Violet to wait for his return. Violet, however, is fearful of what life might hold after the war, and together, they cling to the hope that they will reunite one day. The play thoughtfully explores their relationship before the war, after the war, and many years later, showing how time and circumstance shape their lives.
The chemistry between White and Bradley is palpable, and the ebb and flow of their relationship is both natural and nuanced. Their humour lands effortlessly, avoiding any sense of being forced or contrived. In the second act, Leonard returns to Bath to share the news of his mother's passing, only to find Violet married with children. The sense of betrayal and loss is evident as Leonard grapples with the fragmented pieces of his life. The play’s pace is deliberate, allowing silences and unspoken moments to feel authentic and lived-in, although certain drawn-out moments occasionally slow down the overall rhythm.
Both actors excel in showcasing the passage of time. From their youthful optimism to the weight of old age, their performances remain specific and believable. The final act is particularly powerful as Leonard and Violet reunite as pensioners burdened by ailments, regrets, and a complicated shared history.
Bradley’s performance shines with bold choices that pay off beautifully, aided by writing that affords her character more depth and transformation. White delivers a strong performance, though his character’s arc feels less dynamic by comparison. Despite this, both actors maintain a sense of tenderness and vulnerability throughout.
Nick Payne's writing is infused with charm and truth, delivering endearing details like Leonard’s fading memory, his fascination with a fancy wine opener, and his new George Foreman grill. Payne crafts fully-formed characters, but the plot leaves some gaps, with unanswered questions and unfinished stories. While the play’s slow pace feels intentional, a lack of urgency at times undermines the stakes, especially considering the significant time lapses between the characters’ encounters.
One Day When We Were Young is a poignant exploration of love and the passage of time, enriched by honest performances and thoughtful writing. While not every question finds an answer, the play leaves a lasting impression with its delicate portrayal of what might have been.
*** Three stars
Reviewed by: Aleeza Humranwala
One Day When We Were Young plays at London’s Park Theatre until 22 March, with further info here.
