“Casanova” is a term widely used to describe someone who has many lovers or just enjoys seducing multiple people, but where did this turn of phrase originate?  The Northern Ballet’s production of Casanova tells the tale of 18th century Italian adventurer Giacomo Casanova who is known for being one of the most famous lovers in all of history, hence his name being used to describe others today. 

Adapted from his biography of the infamous Casanova, historian Ian Kelly collaborated with choreographer and director Kenneth Tindall to create the scenario for the ballet portrayal of Casanova in a way which maintained some historical accuracy.  Tindall’s choreography is simply stunning and is an absolutely breathtaking contemporary take on the classical ballet style.  Incorporated into the choreography is the use of several motifs to represent the different characters and their role within the narrative.  Every member of the Northern Ballet company performs with impeccable ballet technique and really embodies their characters, especially principal soloist Joseph Taylor who takes on the titular role of Casanova.

There are times when the story is a little more difficult to follow, as it’s more challenging to convey a story through a non-verbal medium such as ballet.  The meaning of symbols used and the presence of some of the characters isn’t always clear so audience members may find themselves referring to the piece’s synopsis in order to get more clarity of the storyline.

Set and costumes are both designed by multi-award winning scenographer and costume designer Christopher Oram and both of these production elements really enhance the overall performance.  Scenographic features mainly consist of large ornate golden pillars and mirrors which creates the illusion of a more extravagant backdrop when in truth, it is simpler.  These decorative flats also have the ability to move backwards and forwards, which transforms the shape of the stage and adds more depth to the performance.  In the world of ballet, fitted costumes are more common as it gives the audience a clearer view of the dance lines and technique of a ballet dancer, and Oram has clearly thought about this when approaching the task of designing the costumes for Casanova.  For the ladies dresses, Oram uses a combination of short skirts and skirt cages on their own to ensure the leg lines of the choreography can be seen.  For a contrast, there are also some more loose fitting costumes, however some of the hooded cloaks for different characters are a little too similar and it creates uncertainty as to the identity of some of the characters.

Musical accompaniment for Casanova is composed by Kerry Muzzey and is performed live by the Northern Ballet Sinfonia, musically directed by Jonathan Lo.  Consisting of 27 players, the Sinfonia create a phenomenally beautiful sound with their performance and Muzzey’s glorious score perfectly matches the tone of the onstage performers at each stage of the story.

Northern Ballet’s Casanova is a sensually stimulating spectacular ballet performed masterfully by the company to a backdrop of gorgeous golden scenic design, elegant costumes and wonderful orchestrations.  Although the narrative may be a little confusing at times, it doesn’t stop Casanova from being a sensational ballet which is sure to be enjoyed by all, whether you are a prima ballerina or completely new to the ballet scene.

**** Four Stars

Reviewed by: Jess Dalloway

Casanova plays at The Lowry in Salford until 21 May, with tickets available here.