It’s one of Shakespeare’s most popular comedies with one of his most loved characters Beatrice and it tells two very different stories of love, between Hero and Claudio and Beatrice and Benedick.

Directed by Roy Alexander Weise and set in a futuristic, yet timeless, era, Jemima Robinson’s set design is minimal and executed with perfection. Complemented by Azusa Ono’s lighting design, it frames the story magically and captivates the audience.

Melissa Simon-Hartman’s costume design, with it’s West Indian and West African influences, bold striking colours, shapes and materials, completes the production’s look and are immensely stunning.

As Beatrice, Akiya Henry is funny, sassy and sarcastic as someone who is not interested in men and marriage and is more than happy to make it on her own. She oozes with feministic strength and support for her cousin Hero (Taya Ming) who has very different views on men and marriage and who plays it strong, but less over powering, as Shakespeare’s text dictates.

Kevin N Golding is a strong Leonato, wanting the best for his daughter Hero and niece Beatrice, whilst maintaining control of his household and Luke Wilson plays Benedick, the firm soldier who softens to Beatrice’s ways and falls in love so quickly he barely notices.

Without dropping any spoilers, this production has one of the best entrances we have ever seen from Ann Ogbomo as Don Pedro. Flanked by her two brothers, she has magnificent stage presence and command required by the character.

To complete the atmospheric portrayal, we have music composed by Femi Temowo and movement direction by DK Fashola, who combine the classical with modern and cultural aesthetics.

Without doubt, this is a production that surpasses even the expectantly high standards of any RSC production.

It is a gargantuan feast for the senses and the soul!

***** Five stars

Reviewed by: Rachel Louise Martin

Much Ado About Nothing is playing at the RSC, Stratford-Upon-Avon until 12 March, with tickets available here.