Review: MOTHER GOOSE, Theatre Royal Brighton - Tour
Photo credit: Manuel Harlan
Mother Goose is a story born from a fight between good and evil. Encanta, the good fairy by nature and name, introduces the Goose family as her perfect picture to prove the existence of true goodness. Caroline – known to most as Mother Goose – and her husband Vic live a fairly quaint and simple life caring for their animals with their son Jack. However, Malignia, with an outlook that forces us to call her the bad fairy, is determined to prove her wrong and intervenes. As the newest addition to their sanctuary falls into their laps, the scales start to tip and we follow the Gooses and their animals as they strive to remain together on the path of good.
Sitting in the theatre waiting for the show to begin, there is already so much to appreciate in the set design by Liz Ascroft. A subtle combination of modern and old-fashioned makes for an artistic and sophisticated view. The stage is made to feel like a storybook page brought to life – and that’s exactly what the show is, with lessons learned, love found, friendships made and characters on a journey to change - hopefully for the better.
Throughout the show, we see the most imaginative costumes, also designed by Ascroft. The intricacy in the design is obvious with colours and shapes which can’t help but stand out and highlight the best actors of the show.
Jonathan Harvey’s writing showcases an impressive rhythm throughout, along with subtle comments on social and political issues which are interjected with heartwarming and funny moments. Director Cal McCrystal and his creative team combine their wealth of experience, which holds the magic of live theatre.
Laughter pours from the audience as the cast deliver and recall jokes driven by relatable comedy, play on words, physical comedy and classic panto humour. The third wall is truly broken in the most expert way as comedic references to the actors’ other works pepper the script.
The biggest pull factor of this show is its incredible cast, which features some huge names but it’s the phenomenal supporting cast that puts the show on the top tier. The show is truly set apart by the amazing characterisation and the expert interactions of the cast.
Anna-Jane Casey’s performance as the Goose, Cilla Quack, particularly in the second act, exhibits complete command of the stage unlike any other. The fairies win over the crowd instantly with easily the best featured singing voices. Mairi Barclay’s depiction of the Monkey is a dynamic, comedic performance, plus Richard Leeming’s individual and controlled portrayal of the Bat brings a dependable source of hilarity, and Puss (played by Genevieve Nicole) has incredible presence.
From his introductory speech at the beginning of the production, it is clear John Bishop’s experience as a stand-up comedian is what drives his performance. His recognition of the audience is casual and conversational and shows a clear understanding of what we want, as he sets the tone of the rest of the production. Bishop is funny in his clever use of physical comedy and props and succeeds mostly in moments when comedy and interaction with the audience is involved.
Ian McKellen carries himself across the Mother Goose stage incredibly well. One would expect there to be an element of the ridiculous about seeing such a well-known, accomplished actor as a pantomime dame but it seems surprisingly natural. There is no pause on stage as the audience attempts to get over their laughter to take the character seriously, all there is to do is watch in awe at his performance. His presence and portrayal of the character is amazing. The highlight of his performance, however, is Mother Goose’s duet performance with her son Jack, in which he showcases a very good vocal.
Jack, played by Oscar Conlon-Morrey, is a definite highlight of the show. Conlon-Morrey is made for panto, with a face so expressive it is impossible to take your eyes off of him. From his effortlessly playful children-show-presenter vibes to the impeccable control he has over his voice, his portrayal is marvellous.
Whilst the crowd can be heard erupting with applause at multiple points of the show and are frequently moved when true laughter takes over your body, there were also moments when you felt the urge to turn to your neighbour, whether that be with your lip jutted out, hand on heart, with emotion and sympathy in your eyes or with the wide eyes, raised eyebrows and unstoppable smile of someone blown away by incredible talent.
Fun, creative and incredibly well done.
**** Four stars
Reviewed by: Louisa Clarke
Mother Goose moves into London’s Duke of Yorks Theatre on 15 December before continuing its tour. Tickets for select touring venues can be purchased here.