Set in 17th century Salisbury, Making Massinger tells the story of the young playwright, Philip Massinger, who flees to London to seek revenge through his writing after discovering the truth about his Father’s death.

Performed in rhyming prose, the dialogue is comical and very easy to follow, which is not always the case with period pieces.

In a time where heresy results in certain death, the characters speak very freely and the language is very matter of fact, which really works for the audience. A particular mention is needed for Mistress Forth, played by Nina Wadia; there is even a very funny and clever tongue-in-cheek reference to bad rhyming couplets!

There are many comical references to forbidden sex and infidelity (which makes up a large chunk of the story line, without giving out any spoilers), but this is done in such a way that you can’t help but like the characters and feel that it’s actually quite acceptable!

The production was recorded live on the main stage of Salisbury Playhouse and adapts very well to an audio production.

In an age when most people spend time listening to podcasts, this is a much needed and highly entertaining alternative piece.

***** Five stars

Reviewed by: Rachel Louise Martin

Making Massinger is available to access free online until 31 August here.