Review: MACBETH, Lyric Hammersmith Theatre

Photo credit: Richard Lakos

English Touring Theatre offers a quirky, accessible take on Shakespeare’s supernatural tragedy, setting it in a dystopian, apocalyptic world at London’s Lyric Hammersmith. This modern interpretation, with voicemail and phone calls hinting at a romance language for the post-apocalyptic setting, creatively blends Shakespeare’s timeless themes into a fresh context.

Lois Chimimba shines as Lady Macbeth, bringing beautiful intonation, musicality, and an imposing presence to her role. The chemistry among the cast, paired with a set that creatively explores intimacy within relationships, is a highlight. The inclusion of sign language is handled with care, offering a layer of accessibility without being spoon-fed to the audience.

Technological elements like live music, sound, and lighting (courtesy of Matthew Tuckey and Will Duke) elevate the production and create a striking atmosphere. However, while the execution is solid—especially the movement sequence representing the passage of time—the production doesn’t fully commit to exploring how this apocalyptic world affects the original text.

Despite its ambition, some of the attempts to be edgy and contemporary feel underdeveloped, leaving the setting less grounded in the story. The stage combat could use more refinement, and the pacing in the second half drags a little, undermining the momentum needed for the play’s climax.

Although the production is filled with creative ideas, it would benefit from more careful refinement and cohesion to ensure that the message is clear and effectively ties all its elements together.

*** Three stars

Reviewed by: Beatriz Do O

Macbeth plays at London’s Lyric Hammersmith Theatre until 29 March, with further info here.