Review: KISS ME KATE, Barbican Theatre
Photo credit: Johan Persson
Shakespeare’s much-loved comedy threatens to turn into a full-blown tragedy when bickering divorcées Fred and Lilli take to the stage! This lively production weaves together the on-stage and off-stage antics of a theatre company as they navigate love, jealousy, and mistaken identities in their tumultuous adaptation of The Taming of the Shrew as a play within a play.
The second half kicks off with the electrifying number ‘Too Darn Hot’, delivered with a casual yet captivating flair by Jack Butterworth. His natural ease and charisma set the tone for the entire show. The ensemble are extraordinary, showcasing immense talent throughout and it is good to see some tap dancing with the talents of Charlie Stemp, Jordan Crouch and Lucas Koch being a focus.
The comedy surpasses all expectations, with Hammed Animashaun and Nigel Lindsay, in particular, delivering standout, side-splitting performances. Notable laughs echo throughout the audience, especially during the gangsters' hilarious song, ‘Brush Up Your Shakespeare’. Adrian Dunbar excels as the misogynistic Fred Graham, surprising the audience with his singing, though occasionally pushing his vocal limits. Stephanie J. Block’s voice is another highlight, leaving the audience in awe. Despite Dunbar being the weakest singer, his overall performance significantly contributes to the show's success.
Charlie Stemp and Georgina Onuorah, despite their talent, have relatively minimal roles, and therefore feel underutilised. Onuorah shines vocally during ‘Always True To You In My Fashion’ and it is delightful to see Charlie Stemp showcasing his dancing skills again after his exceptional performance in Crazy for You recently. The ensemble, boasting extensive experience, truly shine in the large dance numbers, with up to 16 members dancing in perfect unison. Choreography by Anthony Van Laast is a standout feature throughout.
The set design uses the playing space brilliantly, offering surprising transformations that enhance the storytelling. The revolving stage is ingeniously used to transition between scenes. Although the stage team with torches can be seen in the wings, it adds to the authentic feel of a bustling theatre and doesn’t detract from the onstage action. Detailed costumes and wigs by Catherine Zuber and Sam Cox respectively render the actors almost unrecognisable, immersing the audience deeper into the Elizabethan world for the Shakespearean play.
The band, led by musical director Stephen Ridley, provide an excellent atmosphere with brilliant playing throughout. It is a unique touch to see the cast on stage interacting with the conductor as though he were part of the theatre troupe, adding another layer of immersion.
Under Bartlett Sher’s direction, the show is mostly well-balanced. The first half occasionally feels a little slow with extensive scene-setting and character introductions. However, the second half picks up the pace significantly, with standout numbers and a surge in comedic moments that elevate the overall experience.
The audience's reaction was overwhelmingly positive, and the performance concluded with a well-deserved standing ovation, a testament to the cast and crew's exceptional work.
This production is a masterful blend of comedy, drama, and musical talent. The dynamic performances, the outstanding ensemble, and impeccable production design make for an unforgettable theatre experience. Kiss Me Kate is a must-see, offering both laughter and heartfelt moments in equal measure.
A dazzling fusion of wit, charm, and show-stopping talent that's simply irresistible!
**** Four stars
Reviewed by: Frances Tate
Kiss Me Kate plays at the Barbican Centre until 14 September, with tickets available here.
