Jida Akil’s simple and pleasing staging greets the audience as they enter the intimate Weston Studio in the Bristol Old Vic. Two piles of dried orange slices, tumbling suspended slices and a hanging frame really sets the scene for the play.

Bilal Hasna enters and instantly captivates the audience. He is charming and completely at home on stage, giving a sense of personal friendship to the viewers which is very hard to achieve in a few lines.

Bilal tells us the little-known story of Zu’aiter, a young Palestinian living in Italy. His passion for this play is evident from the start and shines through in his performance. Small changes to posture and the way he holds himself introduces you to a captivating cast of characters and really transports you to 1960’s Italy. To be able to hold the audience for 75-minutes, alone on stage, is a true feat of impressive acting skill.

Ros Chase’s lighting design paired with Holly Khan’s sound work seamlessly together to transport you from a small art exhibition in Italy to a fabulous Arabian wedding. Linking modern interviews into the performance adds a sense of realness to what is being portrayed on stage.

Bilal Hasna and Aaron Kilercioglu have created a passionate play, which educates the audience about an influential Palestinian who was killed for educating people about his homeland. Their connection to the source material is what makes this play a truly moving and thought-provoking experience. It gives a glimpse into what heritage means to a young Palestinian and how far there still is to go for their homeland to be a home once more.

A charming story giving light to the realities of 1960’s and modern-day Palestine.

**** Four stars

Reviewed by: Robin Dibben

For a Palestinian plays at Bristol Old Vic until 15 October, with tickets available here.