Fringe review: FABULETT 1933, Fabulett Productions - Edinburgh Festival Fringe

Berlin, February 1933. The new German leadership orders the closure of all 'venues which promote immorality'. But Felix, the emcee of the depraved Fabulett, still has a story to tell. Set at the transition from one of the most liberal societies of its time with the world's first gay rights movement, to one of the biggest tragedies in human history, Fabulett 1933 is a queer tale of in/visibility.

Created and performed by Michael Trauffer, Fabulett 1933 is a story of the celebration of freedom, but also a story of how quickly that freedom can be taken away. Trauffer tells us the story of Felix's childhood, his journey into the acceptance of others of his 'being different'. His freedom of expression and the ability to be himself in Berlin, an area of the world ahead of its time with regards to sexual liberation. With the rise of the Nazi party, everything changed.

It's an incredibly moving portrayal with musical numbers expanding the emotions experienced, Trauffer's vocals are valiant and energetic and as an audience, we share his passion. We also share an understanding of where this might end and what the consequences might be.

It's hard not to compare it with the musical Cabaret; the character of the emcee, the 'not so secret' Berlin nightlife, but Fabulett 1933 stands its own ground and tells its own story.

An unspeakable adversity, that still needs to be heard.

**** Four stars

Reviewed by: Rachel Louise Martin

Fabulett 1933 plays in Clover at Underbelly, Bristo Square at 10pm until 27 August.