Review: CRY-BABY THE MUSICAL, Arcola Theatre

Photo credit: Charlie Flint

You will hear Cry-Baby described as a parody of Grease and, in many respects, that is true but the Arcola’s production goes above and beyond that label, in no small part due to its supremely talented company.

Based on the John Waters film of the same name, this is the London premiere of a show that will undoubtedly see comparisons drawn with the commercial hit that is Hairspray, another Waters movie with a book from Mark O’Donnell and Thomas Meehan.

Cry-Baby is big, brash, bold and very silly. While its rockabilly style of music may be similar to Grease, its irreverent humour feels more similar to the likes of The Book of Mormon or Police Cops.

Telling the story of Baltimore teenage ‘square’ Allison (played by Lulu-Mae Pears), who falls for tearaway teen Wade ‘Cry-Baby’ Walker (Adam Davidson), the key ingredient in this production is its cast.

Pears gives a stunning display as Allison. Many a young performer may come out of drama school with knockout vocals but Pears expertly blends that with comedic timing and delivery beyond her years.

Meanwhile, Davidson is enchanting as the titular Cry-Baby, but it is Chad Saint Louis who leaves the largest impression due to his incredible vocals as Dupree.

But really, every member of this company is so extra when it comes to the comedy and that is so important in a show like this. None more so than Eleanor Walsh as Lenora, who is quite literally - and hilariously - crazy in love with Wade.

Elliot Allinson is also worthy of a special mention for his portrayal of Baldwin. He gives a performance that could very comfortably see him walk into the role of Elder Price in the future.

Cry-Baby won’t be for everyone. As far as the plot is concerned, it is entirely convoluted and predictable but that really is par for the course when it comes to parody shows. Adam Schlesinger and David Javerbaum’s score is electric at times but could do with a little more variety.

However, it is a genuine musical romp, which comes to life even more in Act Two with a wonderful prison break scene, which highlights the superb job done by Chris Whittaker as choreographer. This show doesn’t come round all too often so take the chance to catch it while you can.

**** Four stars

Reviewed by: Tom Ambrose

Cry-Baby plays at London’s Arcola Theatre until 12 April, with further information here.