Cirque du Magique brings audiences a nostalgia-infused spectacle, blending four magicians, four circus artists, and a small troupe of assistants who keep the wheels turning. From illusions and near-impossible escapes to displays of strength and acrobatics, this variety show certainly offers a memorable evening. With talents like these—deft sleights of hand, unbelievable flexibility, and daring feats—one would expect an utterly magical experience. Yet, for all its charm, Cirque du Magique felt a touch... familiar.

Headliner Richard Cadell, around whom much of the show revolves, rounds off the performance with a poignant monologue on his life’s work and a bygone era of summer shows, residencies, and a grand “signature trick” that, in his words, launched his career. His nostalgic reflections capture the essence of Cirque du Magique: a lovingly polished set of classic illusions that harks back to a time when stage magic held the public spellbound. Today, however, audiences are a touch harder to impress. Shows such as The Royal Variety and Britain’s Got Talent have popularised such acts, and their modern twists on magic and circus acts have perhaps raised the bar, making traditional magician’s assistants and dated sequences seem less inspiring.

That said, the standout moments shine brightly. Alex McAleer, billed as The Mind Reader, is delightfully charismatic, inviting audience members on stage (with permission) to seemingly unlock their minds. Despite a few minor hiccups (chalk pens please!), McAleer’s charm and confidence help maintain the magic. Similarly, The Sorceress, played by Rebecca Foyle, captivates the audience with fire-breathing stunts and an enchantment all her own. Her closing act is one of the evening’s strongest, creating a truly magical experience.

The circus performers deliver thrilling interludes as well. Ezra Veldman displays masterful control with his diablos, while David Adams reaches dizzying heights with a precarious stack of chairs (best sit in the stalls for this one). Duo Rock ‘N’ Rollers skate effortlessly, spinning and swinging each other in a dazzling routine, and Alexandra Matter mesmerises with her intricate hula-hooping.

For those longing for a blend of vintage circus and traditional magic, Cirque du Magique delivers a satisfying journey into the past—if a bit dusty. It may not leave jaws as agape as it once would, but for a few hours, audiences can revel in the nostalgic charm of classic variety.

*** Three stars

Reviewed by: Alanna Boden

Cirque du Magique plays at Wolverhampton Grand until 2 November, with further info here.