New casting announced for PEAKY BLINDERS: THE RISE at Camden Garrison
Photo credit: Mark Senior
Immersive Everywhere, in association with Caryn Mandabach Productions and Steven Knight, have announced new casting for Peaky Blinders: The Rise at the Camden Garrison, joining from 9 November.
Joining the show will be Tanya Bridgeman (Milky Peaks, Theatr Clwyd and Wales tour) as Maggie Hill, Thea Butler (Elegies for Angels, Punks and Raging Queens, Charing Cross Theatre) as Lizzie Stark, Ivy Corbin (Doctor Who: Time Fracture and The Great Gatsby, Immersive Everywhere) as Polly Gray, Ross Ford (Under Milk Wood, The Watermill) as Arthur Shelby, Mabli Gwynne (Elegies for Angels, Punks and Raging Queens, King’s Head Theatre) as Ada Thorne, James Lawrence (One Man, Two Guvnors, UK tour) as Walter McDonald, and Harriett O’Grady (Secret Cinema’s Casino Royale and Dirty Dancing) as Pearl St. Clair.
They join Roxana Bartle as Grace Burgess/Zilpha Lee, Isaac Beechey as John Shelby, Sam Blythe as Alfie Solomons, Angus Brown as Charles Sabini, James Bryant as an American Businessman, Craig Hamilton as Tommy Shelby, Daniel Mackenzie-Carter as Michael Gray, Reece Richardson as Georgie Sewell, Elliot Rodriguez as Isiah Jesus, Daisy Winter-Taylor as Phyllis Robbins.
Peaky Blinders: The Rise is an immersive theatrical show that places audiences in the heart of one of the world’s most popular TV series. Presented in collaboration with Peaky Blinders creator Steven Knight and Caryn Mandabach Productions, you are invited to get dressed up and fully immersed in Tommy Shelby’s world. As the story unfolds you will experience live sets, unmissable character interactions, competitive game play and ultimately determine whether Tommy Shelby and his family succeed in their ambition to take London.
Peaky Blinders: The Rise is directed by Tom Maller, who is also Creative Director, with set and costume design by Rebecca Brower, a script by Katie Lyons, music by Barnaby Race, lighting by Terry Cook for Woodroffe Bassett, sound by Luke Swaffield for Autograph, dramaturgy by Raphael Martin, and movement by Charlie Burt.
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