Interview: Jon Robyns on playing the title role in FIGARO: AN ORIGINAL MUSICAL
Figaro: An Original Musical will receive its world premiere in London with two fully-staged concert performances next year. We spoke to West End star Jon Robyns (The Phantom of the Opera, Les Miserables) who will be creating the title role of Figaro.
How does it feel to be part of a world premiere at an iconic venue like the London Palladium?
The word iconic gets over used and diluted but there’s no doubt that this venue and a project such as Figaro - An Original Musical fulfils this word in every sense. I’m incredibly excited to be a part of the show’s journey at this point.
Can you tell us a little about the musical’s concept?
It’s a dark and seductive psychological thriller. The story follows Sienna as she travels to escape her life and finds a mysterious showman who reveals truths to her about herself and what haunts her. It’s a very clever study of the psychosis and dilution of a young girl. Whether it’s real or a figment of her imagination is for the audience to decide.
What attracted you to the role of Figaro?
Mainly how singable the score is. Ashley Jana has crafted a very impactful and melodic set of songs and I’m looking forward to singing them live.
How does the experience of creating a new role differ from taking on established roles like The Phantom and Jean Valjean?
Brand new musicals, especially pieces not based on existing stories or songs, are very rare. They really are the holy grail for actors. It gives us an opportunity to shape a story and character in any direction. When we recreate the work of another actor, possibly from decades ago, it is important to honour the discoveries and decisions they made in the creation of that role, which is a skill in itself. It’s like you’re climbing a mountain and with existing roles such as Valjean or Phantom, lots of people have laid out a path for you to follow. With new writing, you have to figure out your own path to the top. It’s harder and a new challenge, but there’s no wrong turns.
What do you hope audiences take away from Figaro?
A evening of spectacle and excitement. Also, that facing our demons is the only way forward, no matter how painful it can be.
Are there any other stories that you would love to see turned into a musical?
Oh yes! Loads. I would love to see The Three Amigos made into a stage adaptation. Also, Mel Brooks’ Robin Hood: Men in Tights. But although musical versions of existing stories are fun, what excites me the most are new stories. There’s nothing more engaging for an audience than not knowing what’s around the next corner.
