Cast and creatives announced for revival of ALL MY SONS at Queen’s Theatre Hornchurch
Queen’s Theatre Hornchurch will open its Spring 2022 season with a stunning revival of Arthur Miller’s moving and powerful landmark drama All My Sons, running at the venue from 10 February – 5 March, before playing at the New Wolsey Theatre Ipswich from 8 – 12 March.
The cast is led by David Hounslow (Coronation Street, Doctors) as Joe and Eve Matheson (May to December, Vanity Fair). They will be joined by David Bonnick Jr (Whitney Houston and Bobby Brown, Addicted to Love, Channel 5), Oliver Hembrough (Around the World in 80 Days, BBC One), Nathan Ives-Moiba (A Midsummer Night’s Dream, Octagon Theatre), Natasha Lewis (The Boy in the Dress, Royal Shakespeare Company), Tilly-Mae Millbrook (A Christmas Carol, The Watermill), Graeme Rooney (The Play That Goes Wrong, Duchess Theatre, UK Tour), and Kibong Tanji (The Sun, The Moon and The Stars, Theatre Royal, Stratford East).
It’s 1947 and successful businessman Joe Keller and his wife Kate are living the American dream in their idyllic suburban neighbourhood. Summer wedding plans are afoot for their son and his fiancée. Shadows of the war are slowly fading. But nothing lasts forever. And a familiar visitor arrives to unbury secrets from the past, which will tear their lives apart…
This compelling masterpiece, based on a true story, established Arthur Miller (Death of a Salesman, The Crucible) as one of the greatest playwrights of the 20th century. A classic that’s been performed in the West End and on Broadway by a galaxy of stars including Annette Bening, Jenna Coleman, Bill Pullman, David Suchet and Julie Walters.
All My Sons will be directed by Douglas Rintoul, with design by Amy Jane Cook, lighting by Stephen Pemble, and sound by Helen Atkinson.
Rintoul said: “We are delighted to kick off the year as we mean to go on, bringing world-class drama to the stage at Queen’s Theatre Hornchurch.
“This will be the first production of Miller's masterpiece at the Theatre since 1959. It holds a particular significance as we move into 2022. Miller gives us a beautiful family drama full of ordinary people that we recognise and fall in love with. He grabs our hearts and then unashamedly forces us to experience the cost of their individualism, and its impact on their morality, interpersonal relationships and more importantly their wider world. It hits us in the guts. Against our contemporary context of division, post-truth, climate change and the pandemic, this play speaks to us more than ever, asking us to look at the values and beliefs we hold about our own lives and the world around us”.
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