Bristol Old Vic have announced their full season of work for 2022, beginning with three new plays written with the pressing issues that have risen from the pandemic in mind, which has already kicked off with Dr Semmelweis.

Running from the 5-26 March is wonder boy. Written by Ross Willis and directed by Sally Cookson, it explores the need for inclusion in education and follows Sonny who suffers from a heightened stammer as he tries to navigate school life and made himself heard.

Finishing off the new plays is The Meaning Of Zong. Led by Olivier award-winning Giles Terera, it asks profound questions about racial injustice in a play based on Olaudah Equiano, running from 2 April-7 May.

The summer programme will bring with it two shows back by popular demand: A Monster Calls and Pride & Prejudice (sort of).

The heart wrenching A Monster Calls follows Connor who is dealing with his mother who has cancer and is visited by a tree monster each night seeking his truth. Directed by Sally Cookson, it has previously been at the Old Vic before embarking on a UK tour and will run from 13-23 April.

Pride and Prejudice (sort of) is a unique retelling of Jane Austin’s classic love story. Having previously had a successful run in the West End, this all-female led show follows the servants of the house as they joke, dress up and mock the Bennett girls in this hilarious show. Dates are yet to be announced.

Other highlights of the 2022 season include the return of Mayfest, Rush: A Joyous Jamaican Story, Little Wimmin, Outlier and The Nutcracker, plus many more.

As part of the announcement, it has also been announced that this will be the last season for Artistic Director Tom Morris who has been at the helm of Bristol Old Vic for 12 years and will leave this autumn.

Speaking on his departure and the future of the venue, he said: “The future of Bristol Old Vic has never looked fuller of excitement, opportunity, and enriching creative challenge,. This theatre, with all its history and potential is a superb place to explore what theatre might be in the future and what role it might play in shaping our society over the next decade. This season is just a foundation for that change. I can’t wait to see what unforeseen discoveries and creations emerge from it in the coming years.”

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