Spellbinding dark fantasy adaptation of Angela Carter’s THE BLOODY CHAMBER to tour in Spring 2022
Award-winning Proteus Theatre’s spellbinding dark fantasy adaptation of Angela Carter’s The Bloody Chamber (and Other Stories) embarks on a UK tour this Spring.
An erotic, heady and feminist re-telling of Angela Carter’s dark fantasy fairy tales, the production is performed using aerial circus, visual physical theatre, gothic design and a haunting soundscape. The Bloody Chamber is a visually decadent and surprisingly funny reimagining of some of the most famous folk and fairy tales in Western culture. These are the stories our mothers told us. And all the ones they didn’t dare…
Following a successful run in Worthing last June, this adaptation translates Angela Carter’s fever-dream style to the stage. Step into wonderland with this surreal and poetic fantasy world, empowering women through discussions of sexuality and fearlessness.
The production opens in Harlow Playhouse on 23 March before visiting Sheffield, Harrogate, Lancaster, Sale, Basingstoke, Petersfield, Maidenhead and Norwich, with tickets available now.
The cast features Rosie Rowlands, Megan Brooks, Ashley Christmas, Anesta Mathurin and Lorraine Moynehan. Proteus Theatre are working with leading figures in the circus industry to choreograph the piece including Mimbre’s Silvia Fratelli, Charlotte Mooney from Ockham’s Razor and Tamzen Moulding, Artistic Director of Inverted Theatre. The Bloody Chamber also features an original soundtrack with musical direction, arrangements and sound design by Max Reinhardt and original composition by Paul Wild.
Director Mary Swan said: “Like so many female writers Angela Carter has long been overlooked in the canon of great British literature, but happily this is finally beginning to change. using circus as the chief physical language of the piece enables us to create the surreal, Escher-type worlds of the castle in The Bloody Chamber, the landscapes of Wolf-Alice and the nightmarish home of the vampire in The Lady of the House of Love. Her work is sadly more relevant now than ever; the advice contained in the tales to young women is all too reminiscent of the list published by the Metropolitan Police in 2021 following the murder of Sarah Everard. The Reclaim the Night movement started in the late 1970s when Carter was writing The Bloody Chamber, prompted by outrage at the murder of women on Britain’s streets, and that we are still marching in 2022 is a depressing validation of all the warnings contained within these tales.”